No. 88 (2013)

DOI: https://doi.org/10.31861/pytlit2013.88

Published: 2013-12-06

Anniversaries

The Receptive Potential of the Porter’s Scene in William Shakespeare’s tragedy “Macbeth”

Halyna Pastushuk

7-21
- PDF (Українська)
Typology of the Author's Status: Two Experiences – Cz. Miłosz and G. von Rezzori

Tetiana Basniak

22-33
- PDF (Українська)
Maghrebian Characters: National Characters in the Novel “An Ermine in Czernopol” by Gregor von Rezzori

Petro Rychlo

34-47
- PDF (Українська)

Poetics

Means and Methods of Parody

Natalia Vinnikova

48-68
- PDF (Українська)
Theoretical and Methodological Comprehension of the Exile by Julia Kristeva

Roman Dzyk

69-88
- PDF (Українська)
Author, Narrator and a Protagonist as the Agents and Subjects of the Intersection and Inversion of Identities in a Modern Biographic Discourse

Galyna Dranenko

89-105
- PDF (Українська)
Opposition between Metaphysical and Avant-garde Art in the Novel “The Ebony Tower” by John Fowles

Dmytro Drozdovskyi

106-116
- PDF (Українська)
“µίµήσις – imitation – mimesys”: Concept and Term in the Age of Modern

Borys Shalaghinov

117-126
- PDF (Українська)

Genre Study

The Format of Genre “Dunno in the Sunny City” of Nikolai Nosov (A Remake Creation of the Classical Utopia)

Alena Boychuk

127-143
- PDF (Українська)
Novel about Artist: Postmodern Variations (Instantiated by Novels “The Tin Drum” by Günter Grass, “Brother of Sleep” by Robert Schneider, “Perfume: The Story of a Murderer” by Patrick Süskind)

Sofiya Varetska

144-156
- PDF (Українська)
An Anthology as a Representative Genre in Contemporary Ukrainian Literature

Olena Haleta

157-172
- PDF (Українська)
Principle of Formation of Medieval German Literature: Overcoming the Crisis Stages through New Genres

Oleksandr Oguy

173-188
- PDF (Українська)

Historical Poetics and History of Poetological Discourses

From Liberty to Freedom the Way of the Russian Literary Character in the Novels of the XIX Century

Svitlana Korshunova

189-199
- PDF (Русский)
On the Problem of Colonial Fiction Motives in the English Neo-Victorian Novel

Yuliya Skorokhod’ko

200-209
- PDF (Русский)
The Creation of Doxa (Legitimization of Knowledge and Institualization of Notions) in Gender Studies in the Study of Literature

Ganna Uliura

210-222
- PDF (Українська)
Metamorphoses of the Heroic in English Lyrics of the Beginning of the Twentieth Century

Yevheniya Chernokova

223-233
- PDF (Русский)
Sociality in the Structure of Modern Literature Criticism

Eleonora Shestakova

234-257
- PDF (Русский)

Hermeneutics, Reception, Interpetation

Culture and Self-Knowledge. Around the Concept of Hermeneutics Hans-Georg Gadamer and Paul Ricoeur

Andrzej Borkowski

258-273
- PDF (Język Polski)
The Antiquity in Lyrics by Eugen Malaniuk: Reception and Specifics of Interpretation

Oksana Galchuk

274-285
- PDF (Українська)
Memory as a Category of Fiction: The Receptive Potential of the Novel “The Raw Shark Texts” by Steven Hall

Aliona Matiychak

286-299
- PDF (Українська)
“Dead Souls”: Gogol’s Interpretation of the State of Insanity

Olha Chervinska

300-317
- PDF (Українська)

Intertextuality and Intermediality

Antique Reminiscences in the Tragedy “Dido, Queen of Carthage” by Christopher Marlowe

Valeriya Georgievskaya

318-328
- PDF (Українська)
Intermediacy of the Poetry of Vasyl Holoborodko

Olena Kytcan

329-339
- PDF (Українська)
The Fine Art in Structure of John Fowles’ Novel “The French Lieutenant’s Woman”

Oksana Levytska

340-350
- PDF (Українська)
Intermediality as a Genre-Specific Factor (Sergii Parajanov’s “Kyiv Frescoes” (“Kyivs’ky Fresky”) Script Specificity)

Natalia Nikoryak

351-367
- PDF (Українська)
Poetics of in the Structure of the Novel “Kunigas” by J. Kraszewski

Tatiana Senkevich

368-380
- PDF (Русский)

Gender Studies

Aesthetics of Modernism in the Prose of German Female Writers at the Turn of GDR

Tamila Kyrylova

381-391
- PDF (Українська)
Feminine Idea in the Simone de Beauvoir’s Novel “The Mandarins”

Svitlana Kryvoruchko

392-405
- PDF (Українська)

Reviews

Actual Identification of a Screenplay as an Original Literary Form [Review on the Monograph by Natalia Nikoryak “The Authenticity of the Screenplay as a Modern Literary Text” (Chernivtsi, 2011)]

Yevheniy Vasilyev

406-411
- PDF (Українська)