Opposition between Metaphysical and Avant-garde Art in the Novel “The Ebony Tower” by John Fowles
DOI:
https://doi.org/10.31861/pytlit2013.88.106Keywords:
John Fowles, English literature, “The Ebony Tower”, avant-garde art, ontological art, abstractionism, existentialismAbstract
In the paper, the philosophical features of the novel “The Ebony Tower” by John Fowles have been defined. The purpose of the research is to outline epistemological twists in the British postmodernism which reinforces the modernistic views and provides new paradigms of the post-postmodern aesthetics and arts. Besides, the place of the novel in the history of the contemporary English literature has been indicated. The methodological approach of the paper concentrates on the sociocultural analysis of the text; the interpretations correspond with the cultural context and the visualized ideas are correlated to the specifically conceptualized cultural models of art. The benefits of this study prove that the represented text proclaims ideas of the two oppositional conceptions of arts: avant-garde (reductionistic) and traditional (phenomenological). However, the findings of the analysis demonstrate that no one of these two theories can be absolutely “positive” or ‘negative’. The novel implies that the new cultural paradigm is in the process of formation, and its specific features demonstrate the interrelations between aesthetics and ethics, sciences and humanities, social and anti-social (sociopathic). The author of the paper considers the opposition between these two views on the nature of art: ontological (phenomenological) and avant-garde (reductionistic); their inherent characteristics have been explored taking into account the peculiarities of the post-postmodernism. Hence, the novel can be featured as a text which corresponds not only with modernism and postmodernism as cultural and epistemological binaries but also with the new paradigm of thinking which is neither modernistic nor postmodernistic.
References
Avetisian N. Razrushenie illiuzii [Destroying illusions]. Literaturnoe obozrenie, 1980, no. 3, pp. 78–79. (in Russian).
Avsiukevich L. Simvolicheskie obrazy v povesti Dzh. Faulza “Bashnia iz chernogo dereva” [Images-symbols in J. Fowles’s “The Ebony tower”]. Problemy zhanra i stilia khudozhestvennogo proizvedeniia, no. 4, pp. 204–212. (in Russian).
Blansho M. Prostir literatury [Dimension of literature]. L′viv, 2007, 272 p. (in Ukrainian).
Bochkareva N. Iskusstvo i khudozhnik v romane “Kollektsioner” i povesti “Bashnia iz chernogo dereva” Dzh. Faulza. In: Problemy metoda i poetiki v zarubezhnoi literature XIX – XX vekov [The problems of method and poetics in foreign literatures of the XIX – XX Centuries]. Perm', 1997, pp. 92–102. (in Russian).
Zhluktenko N. Iu. Angliiskii psikhologicheskii roman XX veka [English psychological novel of the XX Century]. Kyiv, 1988, 160 p. (in Russian).
Ziuzina E. Problema vzaimodeistviia zhivopisi i literatury v povesti Dzhona Faulza “Bashnia iz chernogo dereva”. In: Voprosy vzaimovliianiia literatur. [Some reflections of literature interaction]. N. Novgorod, 1997, pp. 91–102. (in Russian).
Literatura Anhliï XX stolittia [Literature of England in the XX Century]. Kyiv, 1993, 398 p. (in Ukrainian).
Pavlychko S. D. Hra v diisnist′. Filosofs′kyi vmist “Mahichnoho teatru” v tvorchosti Dzhona Faulza. In: Literatura i suspil′na svidomist′ zakhodu [Literature and the social mentality of the West]. Kyiv, 1990, pp. 43–59. (in Ukrainian).
Syzonenko N. A. Istoriohrafichna metaliteratura Velykoï Brytaniï kintsia XX st.: filosofs′ko-khudozhnia paradyhma [British historiography metafiction of the end of the XX Century: philosophic and aesthetic paradigm]. Visnyk Kyïvs′koho linhvistychnoho universytetu, 2006, pp. 118–125. (in Ukrainian).
Syzonenko N. Naukovyi dyskurs iak oznaka poetyky istoriohrafichnoï metaliteratury Velykobrytaniï kintsia XX stolittia [Scientific discourse as a part of the poetics of the British historiography metafiction of the end of the XX Century]. Literaturoznavchi obriï, 2008, no. 13, pp. 57–63. (in Ukrainian).
Timofeev V. Uroki Dzhona Faulza [John Fowles’s lessons]. Sankt-Peterburg, 2003, 111 p. (in Russian).
Faulz D. Vezha z chornoho dereva : povist′. Elidiuk; Bidolashnyi Koko; Zahadka [The Ebony tower; Eliduc; Poor Koko; The Enigma]. Kyiv, 1986, 276 p. (in Ukrainian).
Fowles J. The Ebony tower; Eliduc; The Enigma. Moscow, 1980, 245 p.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2013 Dmytro Drozdovskyi
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.