| Issue | Title | |
| No 94 (2016) | Through the Microscope: Understanding "The Tempest" in the Context of the Introduction to Pico della Mirandola’s "Oration on the Dignity of Man" | Abstract PDF |
| Michaela Krämer | ||
| No 90 (2014) | Taras Shevchenko’s Ballade “Why do you come to the grave?” and it’s Ideological and Aesthetic Reception by Jurij Fed’kovych | Abstract |
| Lidija Kovalets | ||
| No 88 (2013) | The Antiquity in Lyrics by Eugen Malaniuk: Reception and Specifics of Interpretation | Abstract |
| Oksana Galchuk | ||
| No 97 (2018) | Genre Innovations and Reception of Thaddeus Venediktovich Bulgarin in the Czech Community | Abstract |
| Ivo Pospíšil | ||
| No 88 (2013) | The Receptive Potential of the Porter’s Scene in William Shakespeare’s tragedy “Macbeth” | Abstract |
| Halyna Pastushuk | ||
| No 94 (2016) | Culturological Construct in the Reception of Personosphere in Iris Murdoch’s Novels | Abstract |
| Aliona Matiychak | ||
| No 87 (2013) | Archetype Judgements of Leonid Talalay (On the Material of Album “Homeless Stream: The Best Poetry” / “Bezprytul’na techiia: vybrani poezii”) | Abstract |
| Svitlana Negodyayeva | ||
| No 94 (2016) | Through the Microscope: Understanding “The Tempest” in the Context of the Introduction to Pico della Mirandola’s “Oration on the Dignity of Man” (Translated from English by Iryna Satygo) | Abstract |
| Michaela Krämer | ||
| No 88 (2013) | Intermediality as a Genre-Specific Factor (Sergii Parajanov’s “Kyiv Frescoes” (“Kyivs’ky Fresky”) Script Specificity) | Abstract |
| Natalia Nikoryak | ||
| No 98 (2018) | Polyvalence of the Cave Paradigm: Iris Murdoch’s Reception | Abstract PDF |
| Aliona Matiychak | ||
| No 88 (2013) | Antique Reminiscences in the Tragedy “Dido, Queen of Carthage” by Christopher Marlowe | Abstract |
| Valeriya Georgievskaya | ||
| No 97 (2018) | Reception Frame of Iris Murdoch’s Critical Studies | Abstract PDF |
| Aliona Matiychak | ||
| No 96 (2017) | “The Master of Petersburg” by J. M. Coetzee as a Fictional Biography | Abstract |
| Olexandr Keba | ||
| No 87 (2013) | Ekphrastic Elements of Modern Scenario Text (“The Portrait” by V. Mytsko) | Abstract |
| Natalia Nikoryak | ||
| No 99 (2019) | Narrative Unreliability as a Literary Device and Reception Shift | Abstract PDF |
| Aliona Matiychak | ||
| No 99 (2019) | Bayard’s Fables: A Fictional Theory or / and / is a Theoretical Fiction | Abstract |
| Galyna Dranenko | ||
| No 98 (2018) | Creativity of Uncertainty: A Poetic Text in One Hundred Years | Abstract |
| Olha Chervinska | ||
| No 88 (2013) | Culture and Self-Knowledge. Around the Concept of Hermeneutics Hans-Georg Gadamer and Paul Ricoeur | Abstract |
| Andrzej Borkowski | ||
| No 88 (2013) | “µίµήσις – imitation – mimesys”: Concept and Term in the Age of Modern | Abstract |
| Borys Shalaghinov | ||
| No 96 (2017) | The Passionatrity of Flash Fiction: The Story of Siegfried Lenz “Das serbische Mädchen” | Abstract |
| Tetiana Basniak | ||
| 1 - 20 of 20 Items | ||
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Pytannia literaturoznavstva
ISSN 2306-2908
Yuriy Fedkovych Chernivtsi National University
2 Kotsiubynsky str., Chernivtsi 58012, Ukraine