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Antique Reminiscences in the Tragedy “Dido, Queen of Carthage” by Christopher Marlowe

Valeriya Georgievskaya
318-328
2013-12-06

Revival or the Troubles of Forgetting: What Markers?

Hervé Baudry
188-202
2023-12-29

Culturological Construct in the Reception of Personosphere in Iris Murdoch’s Novels

Aliona Matiychak
123-140
2016-12-26

The Antiquity in Lyrics by Eugen Malaniuk: Reception and Specifics of Interpretation

Oksana Galchuk
274-285
2013-12-06

Culture and Self-Knowledge. Around the Concept of Hermeneutics Hans-Georg Gadamer and Paul Ricoeur

Andrzej Borkowski
258-273
2013-12-06

“Iris” (2001) by Richard Eyre: Film Reception Specificity of the Writer’s Biography

Aliona Matiychak, Nataliia Nikoriak
94-110
2022-10-28

Olha Kobylianska in the Cinematographic Discourse

Nataliia Nikoriak
7-27
2023-12-29

Reception Frame of Iris Murdoch’s Critical Studies

Aliona Matiychak
162-174
2018-06-29

Ekphrastic Elements of Modern Scenario Text (“The Portrait” by V. Mytsko)

Natalia Nikoryak
230-242
2013-09-03

The Receptive Potential of the Porter’s Scene in William Shakespeare’s tragedy “Macbeth”

Halyna Pastushuk
7-21
2013-12-06

The Passionatrity of Flash Fiction: The Story of Siegfried Lenz “Das serbische Mädchen”

Tetiana Basniak
55-70
2017-12-21

Narrative Unreliability as a Literary Device and Reception Shift

Aliona Matiychak
135-150
2019-06-28

“µίµήσις – imitation – mimesys”: Concept and Term in the Age of Modern

Borys Shalaghinov
117-126
2013-12-06

Means and Methods of Parody

Natalia Vinnikova
48-68
2013-12-06

Therapeutic Function of an Artistic Image: Poetics of Biblical Images Serhiy Zhadan

Alyona Tychinina
36-61
2024-12-31

Through the Microscope: Understanding "The Tempest" in the Context of the Introduction to Pico della Mirandola’s "Oration on the Dignity of Man"

Michaela Krämer
7-29
2016-12-26

“The Master of Petersburg” by J. M. Coetzee as a Fictional Biography

Olexandr Keba
71-93
2017-12-21

Through the Microscope: Understanding “The Tempest” in the Context of the Introduction to Pico della Mirandola’s “Oration on the Dignity of Man” (Translated from English by Iryna Satygo)

Michaela Krämer
30-47
2016-12-26

Polyvalence of the Cave Paradigm: Iris Murdoch’s Reception

Aliona Matiychak
317-329
2018-12-28

Taras Shevchenko’s Ballade “Why do you come to the grave?” and it’s Ideological and Aesthetic Reception by Jurij Fed’kovych

Lidija Kovalets
7-22
2014-12-22

Intermediality as a Genre-Specific Factor (Sergii Parajanov’s “Kyiv Frescoes” (“Kyivs’ky Fresky”) Script Specificity)

Natalia Nikoryak
351-367
2013-12-06

Formation of Donbas Mythological Image in Ukrainian Literature: Cultural, Social, and Political Aspects

Svitlana Namestiuk, Olena Stefurak, Tetiana Basniak
137-150
2024-12-31

In Search of the Meaning of Umberto Eco’s Narrative Metaphor “To Catch a Orange Dove”

Alyona Tychinina
256-277
2020-07-09

Archetype Judgements of Leonid Talalay (On the Material of Album “Homeless Stream: The Best Poetry” / “Bezprytul’na techiia: vybrani poezii”)

Svitlana Negodyayeva
43-52
2013-09-03

Creativity of Uncertainty: A Poetic Text in One Hundred Years

Olha Chervinska
23-40
2018-12-28
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