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Issue Title
 
No 88 (2013) The Antiquity in Lyrics by Eugen Malaniuk: Reception and Specifics of Interpretation Abstract
Oksana Galchuk
 
No 97 (2018) Genre Innovations and Reception of Thaddeus Venediktovich Bulgarin in the Czech Community Abstract
Ivo Pospíšil
 
No 88 (2013) The Receptive Potential of the Porter’s Scene in William Shakespeare’s tragedy “Macbeth” Abstract
Halyna Pastushuk
 
No 87 (2013) Archetype Judgements of Leonid Talalay (On the Material of Album “Homeless Stream: The Best Poetry” / “Bezprytul’na techiia: vybrani poezii”) Abstract
Svitlana Negodyayeva
 
No 90 (2014) Taras Shevchenko’s Ballade “Why do you come to the grave?” and it’s Ideological and Aesthetic Reception by Jurij Fed’kovych Abstract
Lidija Kovalets
 
No 88 (2013) Intermediality as a Genre-Specific Factor (Sergii Parajanov’s “Kyiv Frescoes” (“Kyivs’ky Fresky”) Script Specificity) Abstract
Natalia Nikoryak
 
No 98 (2018) Polyvalence of the Cave Paradigm: Iris Murdoch’s Reception Abstract  PDF
Aliona Matiychak
 
No 88 (2013) Antique Reminiscences in the Tragedy “Dido, Queen of Carthage” by Christopher Marlowe Abstract
Valeriya Georgievskaya
 
No 97 (2018) Reception Frame of Iris Murdoch’s Critical Studies Abstract  PDF
Aliona Matiychak
 
No 96 (2017) “The Master of Petersburg” by J. M. Coetzee as a Fictional Biography Abstract
Olexandr Keba
 
No 87 (2013) Ekphrastic Elements of Modern Scenario Text (“The Portrait” by V. Mytsko) Abstract
Natalia Nikoryak
 
No 94 (2016) Culturological Construct in the Reception of Personosphere in Iris Murdoch’s Novels Abstract
Aliona Matiychak
 
No 94 (2016) Through the Microscope: Understanding "The Tempest" in the Context of the Introduction to Pico della Mirandola’s "Oration on the Dignity of Man" Abstract  PDF
Michaela Krämer
 
No 98 (2018) Creativity of Uncertainty: A Poetic Text in One Hundred Years Abstract
Olha Chervinska
 
No 88 (2013) Culture and Self-Knowledge. Around the Concept of Hermeneutics Hans-Georg Gadamer and Paul Ricoeur Abstract
Andrzej Borkowski
 
No 88 (2013) “µίµήσις – imitation – mimesys”: Concept and Term in the Age of Modern Abstract
Borys Shalaghinov
 
No 94 (2016) Through the Microscope: Understanding “The Tempest” in the Context of the Introduction to Pico della Mirandola’s “Oration on the Dignity of Man” (Translated from English by Iryna Satygo) Abstract
Michaela Krämer
 
No 96 (2017) The Passionatrity of Flash Fiction: The Story of Siegfried Lenz “Das serbische Mädchen” Abstract
Tetiana Basniak
 
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