Issue | Title | |
No 87 (2013) | A. V. Chayanov’story “The extraordinary, but true adventures of the count Feodor Buturlin…” and illustrations by A. I. Kravshenko | Abstract |
Ganna Savorovska | ||
No 87 (2013) | The Role of Portrait in Disclosure of the Personal Crisis in the Novel by Louis-Ferdinand Céline “North” | Abstract |
Nataliia Shaparieva | ||
No 95 (2017) | Poetics of Scantiness in the Milan Kundera’s Novel “The Festival of Insignificance” | Abstract |
Tetyana Bovsunivska | ||
No 92 (2015) | A Poet in Scientist’s Uniform: Leopold Senghor | Abstract |
Iryna Satygo | ||
No 92 (2015) | Autobiographical Markers in Halyna Pahutiak’s Mythopoetics | Abstract |
Halyna Bokshan | ||
No 91 (2015) | Feminist Criticism Concepts | Abstract |
Svitlana Kryvoruchko | ||
No 90 (2014) | Archetypical Traits of Kaspar Hauser’s Biography in Halyna Pahutiak’s Fairy-Tale “The Escape of Animals, or The New Bestiary” | Abstract |
Halyna Bokshan | ||
No 92 (2015) | The Modelling of Historical Fact in A. Hudyma’s Novels in Verse | Abstract |
Valentyna Bilyats’ka | ||
No 89 (2014) | V. Sukhomlynsky in I. Tsyupa’s Story “Creator of Kindness” | Abstract |
Roman Tkachenko | ||
No 98 (2018) | The Fantastic Shakespeare: Character’s Passionary Confocality in the Aspect of Reception | Abstract PDF |
Alyona Tychinina, Dan Paranyuk | ||
No 98 (2018) | Topos of Donbas as a Narrative Phenomenon in the Ukrainian Culture of the XX–XXI Centuries: Observations, Analysis, Summarizing | Abstract |
Olena Romanenko | ||
No 96 (2017) | Personality Sphere in the Novel “Chervony” by A. Kokotyukha | Abstract |
Lyudmila Romas | ||
No 100 (2019) | The Image of the Lost Home in the Works of Kazuo Ishiguro | Abstract |
Myroslava Dovhanych | ||
No 95 (2017) | Parody as a Phenomenon of Literary Criticism | Abstract |
Natalіia Naumenko | ||
1 - 14 of 14 Items |
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