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Issue Title
 
No 87 (2013) Protagonist’s Self-writing in French Novel: Approaching the Problem of Genre Paradigm Abstract
Yulia Pavlenko
 
No 87 (2013) Two Hundred Years with Dickens Abstract
Liudmyla Skuratovska
 
No 87 (2013) French Novel of XX–XXI cs. as a Transitive Element of Genre System (On the Material of Works of A. Nothomb) Abstract
Maria Belyavskaya-Slyusaryeva
 
No 92 (2015) “Memoirs Science”: German Colonial Studies at the Close of the 19th – in the Beginning of the 20th Centuries Abstract
Bogdan Storokha
 
No 90 (2014) “Biography” Frеdеric Beigbeder of the Work “I believe – I don’t either” Abstract
Svitlana Kryvoruchko
 
No 87 (2013) Sad Author of Funny Poetry: Edward Lear and Nonsense Poetry Abstract
Aliona Matiychak
 
No 88 (2013) Actual Identification of a Screenplay as an Original Literary Form [Review on the Monograph by Natalia Nikoryak “The Authenticity of the Screenplay as a Modern Literary Text” (Chernivtsi, 2011)] Abstract
Yevheniy Vasilyev
 
No 87 (2013) The Genre of “Sensational Novel” in the Ukrainian Immigrant Literature Abstract
Olexandr Wesselenyi
 
No 87 (2013) On the Problem of Determining the Genre of Gregor von Rezzori’s “The Snows of Yesteryear” (Flowers in the Snow) Abstract
Tetiana Basniak
 
No 87 (2013) Zenon Fajfer’s Theory of Liberature Abstract
Justyna Urban
 
No 91 (2015) From Ontology to Anthology: Monograph by Olena Haleta as Successful Attempt of a Renovation of Literary Science’s Genre School Abstract
Olha Chervinska
 
No 88 (2013) The Format of Genre “Dunno in the Sunny City” of Nikolai Nosov (A Remake Creation of the Classical Utopia) Abstract
Alena Boychuk
 
No 91 (2015) Monodrama as an Object of Theoretical and Critical Reflection: History Research Abstract
Zhanna Bortnik
 
No 90 (2014) Man and World in O. Honchar’s “Diaries”: Biographical Dimension Abstract
Luiza Oliander
 
No 90 (2014) The Conceits of a Poet’s Life and Biography in the Sonnet Stanza Pattern Abstract
Natalіia Naumenko
 
No 87 (2013) Philosophical Markers of Being in the Novel “Elegant Hedgehog” by Muriel Barberу Abstract
Tetyana Bovsunivska
 
No 95 (2017) Farce Genre Modifications in Contemporary Dramaturgy Abstract
Yevheniy Vasilyev
 
No 89 (2014) The Biographizme as a Factor of the Genre Creation (In the Material of the Lesia Ukrainka’s Works) Abstract
Yuliia Levchuk
 
No 89 (2014) Novel-Biography in the Context of Modernist Aesthetics (Based on V. Woolf Novel “Orlando”) Abstract
Iryna Kunytska
 
No 89 (2014) The Embodiment of the Author’s Consciousness Through the Narrative of the Main Character in “Notes of a Ukrainian Madman” Lina Kostenko Abstract
Yekaterina Shabal
 
No 92 (2015) Belinsky as a Literary Theorist Abstract
Olga Zubovich
 
No 89 (2014) The Gothic Tradition in Hovard Lovecraft's Creative Activity Abstract
Sergey Tuzkov
 
No 92 (2015) Art-biographical Story: Especially Study the Biography of the Writer in a Small Narrative Form Abstract
Liudmila Skibitskaya
 
No 88 (2013) Memory as a Category of Fiction: The Receptive Potential of the Novel “The Raw Shark Texts” by Steven Hall Abstract
Aliona Matiychak
 
No 94 (2016) Genre and Stylistic Intentions of Allegory: “Duma of Virgin Forest” by O. Turyansky Abstract
Mariia Moklytsia
 
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