Issue | Title | |
No 87 (2013) | Protagonist’s Self-writing in French Novel: Approaching the Problem of Genre Paradigm | Abstract |
Yulia Pavlenko | ||
No 87 (2013) | French Novel of XX–XXI cs. as a Transitive Element of Genre System (On the Material of Works of A. Nothomb) | Abstract |
Maria Belyavskaya-Slyusaryeva | ||
No 87 (2013) | Two Hundred Years with Dickens | Abstract |
Liudmyla Skuratovska | ||
No 92 (2015) | “Memoirs Science”: German Colonial Studies at the Close of the 19th – in the Beginning of the 20th Centuries | Abstract |
Bogdan Storokha | ||
No 90 (2014) | “Biography” Frеdеric Beigbeder of the Work “I believe – I don’t either” | Abstract |
Svitlana Kryvoruchko | ||
No 95 (2017) | Farce Genre Modifications in Contemporary Dramaturgy | Abstract |
Yevheniy Vasilyev | ||
No 88 (2013) | Actual Identification of a Screenplay as an Original Literary Form [Review on the Monograph by Natalia Nikoryak “The Authenticity of the Screenplay as a Modern Literary Text” (Chernivtsi, 2011)] | Abstract |
Yevheniy Vasilyev | ||
No 91 (2015) | Monodrama as an Object of Theoretical and Critical Reflection: History Research | Abstract |
Zhanna Bortnik | ||
No 87 (2013) | Zenon Fajfer’s Theory of Liberature | Abstract |
Justyna Urban | ||
No 89 (2014) | The Embodiment of the Author’s Consciousness Through the Narrative of the Main Character in “Notes of a Ukrainian Madman” Lina Kostenko | Abstract |
Yekaterina Shabal | ||
No 87 (2013) | Sad Author of Funny Poetry: Edward Lear and Nonsense Poetry | Abstract |
Aliona Matiychak | ||
No 89 (2014) | The Gothic Tradition in Hovard Lovecraft's Creative Activity | Abstract |
Sergey Tuzkov | ||
No 92 (2015) | Art-biographical Story: Especially Study the Biography of the Writer in a Small Narrative Form | Abstract |
Liudmila Skibitskaya | ||
No 88 (2013) | Memory as a Category of Fiction: The Receptive Potential of the Novel “The Raw Shark Texts” by Steven Hall | Abstract |
Aliona Matiychak | ||
No 91 (2015) | From Ontology to Anthology: Monograph by Olena Haleta as Successful Attempt of a Renovation of Literary Science’s Genre School | Abstract |
Olha Chervinska | ||
No 88 (2013) | The Format of Genre “Dunno in the Sunny City” of Nikolai Nosov (A Remake Creation of the Classical Utopia) | Abstract |
Alena Boychuk | ||
No 87 (2013) | The Genre of “Sensational Novel” in the Ukrainian Immigrant Literature | Abstract |
Olexandr Wesselenyi | ||
No 90 (2014) | The Conceits of a Poet’s Life and Biography in the Sonnet Stanza Pattern | Abstract |
Natalіia Naumenko | ||
No 89 (2014) | The Biographizme as a Factor of the Genre Creation (In the Material of the Lesia Ukrainka’s Works) | Abstract |
Yuliia Levchuk | ||
No 87 (2013) | On the Problem of Determining the Genre of Gregor von Rezzori’s “The Snows of Yesteryear” (Flowers in the Snow) | Abstract |
Tetiana Basniak | ||
No 92 (2015) | Belinsky as a Literary Theorist | Abstract |
Olga Zubovich | ||
No 90 (2014) | Man and World in O. Honchar’s “Diaries”: Biographical Dimension | Abstract |
Luiza Oliander | ||
No 87 (2013) | Philosophical Markers of Being in the Novel “Elegant Hedgehog” by Muriel Barberу | Abstract |
Tetyana Bovsunivska | ||
No 99 (2019) | The Role of the Writers' Generations in the Generational Novel (“Pawel's Letters” by M. Maron and “Heavenly Bodies” by T. Dückers) | Abstract |
Olya Hrecheshnyuk | ||
No 89 (2014) | Novel-Biography in the Context of Modernist Aesthetics (Based on V. Woolf Novel “Orlando”) | Abstract |
Iryna Kunytska | ||
1 - 25 of 37 Items | 1 2 > >> |
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