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To the Issue of Differentiating between Science Fiction and Fantasy

Dan Paranyuk
62-79
2024-12-31

Farce Genre Modifications in Contemporary Dramaturgy

Yevheniy Vasilyev
62-77
2017-11-21

Protagonist’s Self-writing in French Novel: Approaching the Problem of Genre Paradigm

Yulia Pavlenko
338-347
2013-09-03

“University Novel” (Campus Novel / University Fiction): Genesis and Current Parameters of the Genre

Kateryna Kalynych
111-136
2022-10-28

French Novel of XX–XXI cs. as a Transitive Element of Genre System (On the Material of Works of A. Nothomb)

Maria Belyavskaya-Slyusaryeva
291-301
2013-09-03

Intertextuality of the Personosphere as a Factor of Meta-Genre (Clifford Simak “Shakespeare’s Planet”)

Dan Paranyuk, Alyona Tychinina
216-237
2023-06-30

Actual Identification of a Screenplay as an Original Literary Form [Review on the Monograph by Natalia Nikoryak “The Authenticity of the Screenplay as a Modern Literary Text” (Chernivtsi, 2011)]

Yevheniy Vasilyev
406-411
2013-12-06

The Genre on the Boundary: Innovative Features of the Czech Enigmatic Prose

Ivo Pospíšil
318-341
2024-12-31

Genre Innovations in Contemporary Dramaturgy: Crossover Drama

Yevheniy Vasilyev
153-171
2016-12-26

From Ontology to Anthology: Monograph by Olena Haleta as Successful Attempt of a Renovation of Literary Science’s Genre School

Olha Chervinska
234-243
2015-11-28

“Memoirs Science”: German Colonial Studies at the Close of the 19th – in the Beginning of the 20th Centuries

Bogdan Storokha
26-34
2015-12-25

The Genre of “View” and Its Modifications: the Monographs by O. V. Bogdanova and L. G. Frizman in the Context of Monographs by E. M. Vasyliev, T. I. Hundorova, B. F. Egorov, V. B. Musiy, and Others

Luiza Oliander
342-355
2018-12-28

Monodrama as an Object of Theoretical and Critical Reflection: History Research

Zhanna Bortnik
123-136
2015-11-28

Genre and Stylistic Intentions of Allegory: “Duma of Virgin Forest” by O. Turyansky

Mariia Moklytsia
183-193
2016-12-26

“Biography” Frеdеric Beigbeder of the Work “I believe – I don’t either”

Svitlana Kryvoruchko
133-143
2014-12-22

The Biographizme as a Factor of the Genre Creation (In the Material of the Lesia Ukrainka’s Works)

Yuliia Levchuk
126-136
2014-11-27

“CineSkovoroda”: Cinematic Update of the Biography

Nataliia Nikoriak
7-24
2022-12-30

Man and World in O. Honchar’s “Diaries”: Biographical Dimension

Luiza Oliander
251-265
2014-12-22

The Creative Replica of L. Tolstoy to M. Kostomarov in the Genre of Midquel

Inna Volkovynska
78-89
2017-11-21

An Anthology as a Representative Genre in Contemporary Ukrainian Literature

Olena Haleta
157-172
2013-12-06

Parareality as a Structural and Semantic Component of Fantasy Genre Texts

Aliona Matiychak, Oksana Marchuk
58-73
2024-06-28

Creativity оf Advertising Aesthetics in Generating New Fiction Texts

Alla Sazhyna
182-196
2021-12-27

Text on the Culturological Border: the Cinemanovel “The Red. Without a Front Line” by A. Kokotiukha

Nataliia Nikoriak
164-194
2020-12-28

Belinsky as a Literary Theorist

Olga Zubovich
156-166
2015-12-25

Poems in Prose as Marginal Genre of Ukrainian Literature at the End of XIXth – the Beginning of XXth Centuries

Tatiana Lyakh
106-119
2017-11-21
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