| Issue | Title | |
| No 87 (2013) | Protagonist’s Self-writing in French Novel: Approaching the Problem of Genre Paradigm | Abstract |
| Yulia Pavlenko | ||
| No 87 (2013) | French Novel of XX–XXI cs. as a Transitive Element of Genre System (On the Material of Works of A. Nothomb) | Abstract |
| Maria Belyavskaya-Slyusaryeva | ||
| No 87 (2013) | Two Hundred Years with Dickens | Abstract |
| Liudmyla Skuratovska | ||
| No 92 (2015) | “Memoirs Science”: German Colonial Studies at the Close of the 19th – in the Beginning of the 20th Centuries | Abstract |
| Bogdan Storokha | ||
| No 90 (2014) | “Biography” Frеdеric Beigbeder of the Work “I believe – I don’t either” | Abstract |
| Svitlana Kryvoruchko | ||
| No 95 (2017) | Farce Genre Modifications in Contemporary Dramaturgy | Abstract |
| Yevheniy Vasilyev | ||
| No 88 (2013) | Actual Identification of a Screenplay as an Original Literary Form [Review on the Monograph by Natalia Nikoryak “The Authenticity of the Screenplay as a Modern Literary Text” (Chernivtsi, 2011)] | Abstract |
| Yevheniy Vasilyev | ||
| No 91 (2015) | Monodrama as an Object of Theoretical and Critical Reflection: History Research | Abstract |
| Zhanna Bortnik | ||
| No 87 (2013) | Zenon Fajfer’s Theory of Liberature | Abstract |
| Justyna Urban | ||
| No 89 (2014) | The Embodiment of the Author’s Consciousness Through the Narrative of the Main Character in “Notes of a Ukrainian Madman” Lina Kostenko | Abstract |
| Yekaterina Shabal | ||
| No 87 (2013) | Sad Author of Funny Poetry: Edward Lear and Nonsense Poetry | Abstract |
| Aliona Matiychak | ||
| No 89 (2014) | The Gothic Tradition in Hovard Lovecraft's Creative Activity | Abstract |
| Sergey Tuzkov | ||
| No 88 (2013) | Memory as a Category of Fiction: The Receptive Potential of the Novel “The Raw Shark Texts” by Steven Hall | Abstract |
| Aliona Matiychak | ||
| No 91 (2015) | From Ontology to Anthology: Monograph by Olena Haleta as Successful Attempt of a Renovation of Literary Science’s Genre School | Abstract |
| Olha Chervinska | ||
| No 88 (2013) | The Format of Genre “Dunno in the Sunny City” of Nikolai Nosov (A Remake Creation of the Classical Utopia) | Abstract |
| Alena Boychuk | ||
| No 87 (2013) | The Genre of “Sensational Novel” in the Ukrainian Immigrant Literature | Abstract |
| Olexandr Wesselenyi | ||
| No 90 (2014) | The Conceits of a Poet’s Life and Biography in the Sonnet Stanza Pattern | Abstract |
| Natalіia Naumenko | ||
| No 89 (2014) | The Biographizme as a Factor of the Genre Creation (In the Material of the Lesia Ukrainka’s Works) | Abstract |
| Yuliia Levchuk | ||
| No 87 (2013) | On the Problem of Determining the Genre of Gregor von Rezzori’s “The Snows of Yesteryear” (Flowers in the Snow) | Abstract |
| Tetiana Basniak | ||
| No 92 (2015) | Belinsky as a Literary Theorist | Abstract |
| Olga Zubovich | ||
| No 92 (2015) | Art-biographical Story: Especially Study the Biography of the Writer in a Small Narrative Form | Abstract |
| Liudmila Skibitskaya | ||
| No 90 (2014) | Man and World in O. Honchar’s “Diaries”: Biographical Dimension | Abstract |
| Luiza Oliander | ||
| No 87 (2013) | Philosophical Markers of Being in the Novel “Elegant Hedgehog” by Muriel Barberу | Abstract |
| Tetyana Bovsunivska | ||
| No 99 (2019) | The Role of the Writers' Generations in the Generational Novel (“Pawel's Letters” by M. Maron and “Heavenly Bodies” by T. Dückers) | Abstract |
| Olya Hrecheshnyuk | ||
| No 89 (2014) | Novel-Biography in the Context of Modernist Aesthetics (Based on V. Woolf Novel “Orlando”) | Abstract |
| Iryna Kunytska | ||
| 1 - 25 of 37 Items | 1 2 > >> | |
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Pytannia literaturoznavstva
ISSN 2306-2908
Yuriy Fedkovych Chernivtsi National University
2 Kotsiubynsky str., Chernivtsi 58012, Ukraine