Mykhaylo Kotsiubynskyi and Volodymyr Vynnychenko: Biographics of Creative “Landscapes”
DOI:
https://doi.org/10.31861/pytlit2016.94.194Keywords:
Mykhaylo Kotsiubynskyi, Volodymyr Vynnychenko, biography, “landscape” of creative workAbstract
Creative worlds of Mykhaylo Kotsiubynskyi and Volodymyr Vynnychenko clearly describe the peculiarities of literary fin de siècle in Ukrainian literature of the period on the level of topics, images and style practices. Important role is devoted to characteristic features inherent to creative fates of the mentioned writers. They promoted creation of unique “rhythm” of prose characteristic of both writers and to a great degree similar to episodes and events of their lives.
Mykhaylo Kotsiubynskyi and Volodymyr Vynnychenko belonged to one cultural time “intercrossing” in space: real and artistic. If the writers’ biographies were objects of numerous literary discussions (e.g., authors’ stay in Italy on an island Capri or a period of “intermezzo” in Kononivka of Yevhen Chykalenko), then a peculiar “clashes” on the level of texts urges us to find ways to perceive these “intercrossings.” They are interwoven into the texture of texts and are not always provided for decoding. It becomes possible by reading the topology of artistic thinking that is revealed by means of artistic images, landscape, particular attention to corporeality. We come across the category of corporeality in both writers works, but a priori the category is marked by a given disconnection in their texts. As a result of the analysis, we state its prevailing quality, in particular, in creation of a whole “landscape” of writer’s creative work. The study of internal mimesis of Mykhaylo Kotsiubynskyi and Volodymyr Vynnychenko’s texts based on the basis of analytical anthropology allows us to trace peculiarities of biographics of creative „landscapes” in both authors, establishing the range of “rises” and “declines”, movement of their creative work as a whole. At the same time such an approach allows us to evaluate the character of cultural “landscape” of the Ukrainian literature at the beginning of the twentieth century.References
Yevshan M. “Tini zabutykh predkiv” [“Shadows of Forgotten Ancestors”]. In: Yevshan M. Krytyka. Literaturoznavstvo. Estetyka [Criticism. Literature. Aesthetics]. Kyiv, 1998, pp. 472–475. (in Ukrainian).
Yefremov Serhii. Mykhailo Kotsiubynskyi [Mychailo Kotsiubynsky]. In: Yefremov S. Vybrane: Statti, naukovi rozvidky, monohrafii [Selected: Articles, scientific researches, monographs]. Kyiv, 2002, pp. 214–310. (in Ukrainian).
Kyryliuk S. Proza Mykhaila Kotsiubynskoho i Volodymyra Vynnychenka: antropolohichnyi aspekt [Prose by Mychailo Kotsubynsky and Volodymyr Vynnychenko: anthropological aspekt]. Visnyk Mariupolskoho derzhavnoho universytetu. Seriia: Filolohiia: Zbirnyk nauk. prats. Mariupol, 2013, issue 8, pp. 45–52. (in Ukrainian).
Kostetskyi I. Stefan Georg. Osobystist, doba, spadshchyna [Stefan George. The personality, epoch, heritage]. In: Kostetskyi I. Tobi nalezhyt tsilyi svit: Vybrani tvory [You have to the whole world: Selected Works]. Kyiv, 2005, pp. 390–51. (in Ukrainian).
Kotsiubynska M. Maisternist khudozhnoho syntezu: do storichchia z dnia narodzhennia Mykhaila Kotsiubynskoho [The mastery of art synthesis: 100 jears of M. Kotsiubynsky birthday]. In: Kotsiubynska M. Moi obrii : v 2 t. [My horizons: vol. 2]. Kyiv, 2004, vol. 1, pp. 213–228. (in Ukrainian).
Kupidura R. Mova, stat, vlada – literaturni proektsii suspilnykh problem u tvorchosti M. Kotsiubynskoho ta V. Vynnychenka [Language, Gender and Power: Literary Projections of the Social Problems in Works by M. Kotsiubynsky and V. Vynnychenko]. Skhid – Zakhid : ist.-kult. zb. Vyp. 16–17 : Neo-anty-kolonializm vs neoimperializm : relevantnist postkolonialnoho dyskursu na postradianskomu prostori [East / West Journal for History and Culture: Neo – anti – colonialism vs neo – imperialism: The Relance of the postcolonial discourse in the post – Soviet spase]. Kharkiv, 2013, vol. 16–17, pp. 432–446. (in Ukrainian).
Panchenko V. Volodymyr Vynnychenko: paradoksy doli i tvorchosti: Knyha rozvidok ta mandrivok [Volodymyr Vynnychenko: paradoxes of fate and creation]. Kyiv, 2004, 287 p. (in Ukrainian).
Panchenko V. Shchaslyva porazka Mefistofelia [Happy defeat of Mephistopheles]. In: Vynnychenko V. Zapysky kyrpatoho Mefistofelia [Notes of snub-nosed Mephistopheles]. Cherkasy, 2005, pp. 229–234. (in Ukrainian).
Podoroga V. Metafizika landshafta. Kommunikativnye strategii v filosofskoi kul'ture XІX – XX vekov [Metaphysics of landscape: Communication strategy in philosophical culture of 19th – 20th centuries]. Moscow, 2013, 427 p. (in Russian).
Podoroga V. Mimesis: Materialy po analiticheskoj antropologii literatury v dvuh tomah. Tom 1 : N. Gogol'. F. Dostoevskij [Mimesis: Materials for analytical anthropology in literature in 2 volumes]. Moscow, 2006, 686 p. (in Russian).
Podoroga V. Fenomenologija tela: Vvedenie v filosofskuju antropologiju. Materialy lekcionnyh kursov 1992 – 1994 godov [Body Phenomenology: An Introduction to philosophical antropology. Materials lektures 1992 – 1994 years]. Moscow, 1995, 350 p. (in Russian).
Polishchuk Y. Bile i chorne Mykhaila Zhuka. Sacrum mysttsia na tli kulturnykh aberatsii doby [White and Black of Myhailo Zhuk. Sacrum of artist against a background of cultural aberrations of epoch]. In: Sacrum i Bibliia v ukrainskii literaturi [Sacrum and Bible in Ukrainian literature]. Lublin, 2008, pp. 225–236. (in Ukrainian).
Rudnytskyi M. Vid Myrnoho do Khvylovoho. Mizh ideieiu i formoiu. Shcho take „Moloda Muza”? [From Myrny to Hvylovy. Between idea and form. What is a „Young Muse”?]. Drohobych, 2009, 502 p. (in Ukrainian).
Cherniavskyi M. Chervona lileia. Spohady pro Mykhaila Kotsiubynskoho [Red lily]. In: Spohady pro Mykhaila Kotsiubynskoho [Memories about Kotsiubynsky]. Kyiv, 1989, pp. 51–66. (in Ukrainian).
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2016 Svitlana Kyryliuk
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.