Technique of “The Stream of Consciousness” in the Artistic Prose of Ivan Franko
DOI:
https://doi.org/10.31861/pytlit2014.90.098Keywords:
Ivan Franko, “stream of consciousness”, direct internal monologue, mediate internal monologue and omniscient descriptionAbstract
The varieties of technique of “stream of consciousness” in Ivan Franko’s prose works, especially direct internal monologue, mediate internal monologue and omniscient description are reviewed in the article. It is found out, that Ukrainian writer (as row of European authors) used this technique earlier, than M. Prust, J. Joyce and V. Wolfe, who are considered to be the inventors of technique of “stream of consciousness”. The backgrounds and conditions of the appearance of this form of showing artistic material in Franko’s creation are revealed. The appearance of this modern form of account with Franko’s naturalistic aesthetic is connected, in particular with the study of the agony of consciousness, alcoholic intoxication, affects etc. Ukrainian writer used the technique of “stream of consciousness” in such his works as “Na roboti” (“At work”), “Iz zapysok neduzhoho” (“From diary of the sick person”), “Odi profanum vulgus”, “Perechresni stezhky” (“Cross pathes”), “Vivchar” (“A shepherd”) and others. The master of word shows varieties of “stream of consciousness” with different aim, often – as a way for clearer delineation of character’s psychology. Technique of “stream of consciousness” in Franko’s works is one of factors in the modernization of Ukrainian literature at the end of XIX – beginning of XX century.
References
Huzar Z. Modyfikatsija fol’klornych motyviv u romani Ivana Franka “Perechresni stezhky” [Modification of folk motives in Ivan Franko’s novel “Cross pathes”]. Visnyk L’vivs’koho universytetu, 2011, no. 55, pp. 73–80. (in Ukrainian).
Hundorova T. I. ProJavlennia Slova: Dyskursija rannioho ukrajins’koho modernizmu: postmoderna interpretatsija [The Display of the Word: Discursion of early Ukrainian modernism: postmodern interpretation]. Lviv, 1997, 300 p. (in Ukrainian).
Konstan B. Adol’f [Adolf]. Moscow, 1959, 159 p. (in Russian).
Leshchyshyn Z. Vnutrishnij monolog jak forma chudozhnioho vykladu [Internal monologue as a form of artistic presentation]. Extended abstract of PhD dissertation (Literary theory). Lviv National University. Lviv, 2009, 20 p. (in Ukrainian).
Literaturoznavcha entsyklopedija [Literary encyclopedia]. Kyiv, 2007, vol. 2, 624 p. (in Ukrainian).
Meizers’kyy V. M. Philosophija i neorytoryka [Philosophy and neo-rhetoric]. Kyiv, 1991, 192 p. (in Russian).
Urnov D. M. J. Jojs i sovremennyj modernism [J. Joyce and contemporary modernism]. Moscow, 1964, 38 p. (in Russian).
Franko I. Zibrannia tvoriv [Collection of works]. Kyiv, 1976–1986, vol. 1–50. (in Ukrainian).
Dujardin E. Le monologue intérieur. Son apparition, ses origines, sa place dans l’oeuvre de J. Joyce. Paris, 1931, 126 p.
Humphrey R. Stream of Consciousness in the Modern Novel. Berkley, 1955, 127 p.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2014 Mykola Lehkyy
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.