The Allegoresis of H. Skovoroda’s Fable “The Snake and the Frog” in the Context of Symbols and Mythologemes of the Ophites

Authors

  • Oleksandr Volkovynskyi Kamianets-Podilsky Ivan Ohienko National University, Ukraine

DOI:

https://doi.org/10.31861/pytlit2014.89.178

Keywords:

allegoresis, anagram, fable, hermeneutics, mythologeme, Ophites, symbol, H. Skovoroda, the Ouroboros

Abstract

The allegoric images in many of H. Skovoroda’s works gravitate towards symbolization, which prevents their unambiguous and literal interpretation. A significant role in the possible allegoresis of the fable “The Snake and the Frog” is played by the manifestation of symbols and mythologemes of the Ophites, which function at multiple structural levels: at the motif level – as elements and twists of the plot, at the eidological level – as literary allegoric images. That is why, in order to provide an in-depth interpretation, the search for hidden meanings of symbols and allegories should be added to a thorough explanation of H. Skovorada’s fable “The Snake and the Frog”. The fable “The Snake and the Frog” is an incarnation of the character –archetype dialectics. The Snake-character is a specific incarnation of the general permeating invariant capable of generating variable modifications. The Snake is an archetype possessing a fixed image-producing and symbolic nucleus, which becomes the basis for character modifications. The main (archetypal) function of the Snake is to teach, to lead to the hidden wisdom. The Snake allegorically embodies the ideas of circling, rotation and cyclic returns. The emphasized allegoric exclusivity of the character amplifies the motifs of mystic calling and purpose, of which only the chosen ones can become aware. The analogies and associative likenings indicate H. Skovoroda’s stance on the positive role of the Snake in man’s destiny. The name of the main Ophitic symbol (the Ouroborus) is manifested in the fable “The Snake and the Frog” through an anagram, when letters and sounds scattered in the text may form a word-theme. The anagram reading makes it possible to look beyond the external verbal decorations and discover the hidden meaning. Thus, the allegoresis of this work leads to arguing that H. Skovoroda largely adopted the symbolic emblems and the mysterial cult of the Ophites. The symbol of the World Serpent (the Ouroboros) is formed and functions in H. Skovoroda’s philosophy and aesthetics as ambivalent. The combination of the Gnostic Ophite and Christian traditions enabled H. Skovoroda to emphasize the idea of duality of the main imagistic and symbolic chain of the concepts “eternity”, “circular”, “cosmogonic”.

Author Biography

Oleksandr Volkovynskyi, Kamianets-Podilsky Ivan Ohienko National University

Kamianets-Podilsky Ivan Ohienko National University

Іvan Ohienko St., 61, 32300, Kamianets-Podilsky, Ukraine

References

Buianovs′ka N. I., Altukhov V. M. Tema shchastia i “srodnoï” pratsi u tvorchosti H. S. Skovorody [Subject happiness and “akin to” work in creativity of G. S. Skovoroda]. Noosfera, 2002, no. 2, pp. 96–98. Available at: http://archive.nbuv.gov.ua/portal/soc_gum/Niz/2002_2/buyanovskaya.htm (accessed 15 November 2012). (in Ukrainian).

Vasianovych H. Hryhorii Skovoroda – filosof i pedahoh [G. Skovoroda – philosopher and educator]. Visnyk L′vivs′koho natsional′noho universytetu imeni I. Franka. Seriia: Pedahohika, 2004, no. 18, pp. 239–251. Available at: http://www.lnu.edu.ua/Pedagogika/periodic/visnyk/18/31_vasjanovych.pdf (accessed 15 November 2012). (in Ukrainian).

Vol'skii A. L. M. Khaidegger : germenevtika kak poeziia [M. Heidegger : hermeneutics as poetry]. Izvestiia Rossiiskogo gosudarstvennogo pedagogicheskogo universiteta im. A. I. Gertsena, 2007, vol. 9, no. 46, pp. 94–107. Available at: http://elibrary.ru/download/96650216.pdf (accessed 15 November 2012). (in Russian).

Levchenko V. V. Ekopsykholohichna ta estetychna interpretatsiia filosofs′koï spadshchyny H. S. Skovorody [Ekopsyholohichna and esthetic interpretation of the philosophical heritage of G. S. Skovoroda]. Filosofs′ki doslidzhennia, 2006, no. 7, pp. 186–197. Available at: http://fd.snu.edu.ua/info/files_articles/collection_7/article19.pdf (accessed 15 November 2012). (in Ukrainian).

Losev A. F. Istoriia antichnoi estetiki : Itogi tysiacheletnego razvitiia [History of ancient aesthetics: Results of the millennium development]. Moscow, 1992, vol. 1, 656 p. Available at: http://philosophy.ru/library/losef/iae8/txt13.htm#4 (accessed 15 November 2012). (in Russian).

Ricœur P. Konflikt interpretatsii. Ocherki o germenevtike [The conflict of interpretations. Essays on hermeneutics]. Moscow, 2002, 624 p. (in Russian).

Simboly i Emblemata oukazom i blagopovedenni Ego Osveshchenneishago Velichestva Vysokoderzhavneishego Moskovskogo Velikago Gosudaria Tsaria <...> Samoderzhtsa i Vysochaisheiu Monarkha napechatany, Symbola et Emblemata, Jussu atque auspiciis Czaris <...> Petri Alexidis <...> excasa [Simboly and Emblemata oukazom and blagopovedenni Osveschenneyshago His Majesty the Emperor of Great Moscow Vysokoderzhavneyshego King <...> Sovereign Monarch and the highest published]. Amsterdam, 1705, emblema no. 498, p. 167; emblema no. 615, p. 207; emblema no. 733, p. 247.

Skovoroda H. Povna akademichna zbirka tvoriv [Complete collection of academic works]. Kharkiv, Edmonton, Toronto, 2011, 1400 p. (in Ukrainian).

Skovoroda H. S. Povne zibrannia tvoriv [The Complete Works]. Kyiv, 1973, vol. 1, 532 p. (in Ukrainian).

Solov'ev Vl. Ofity [Ophites]. In: Entsiklopedicheskii slovar', Saint Petersburg, 1897, vol. XXIIA, p. 485 (in Russian).

Saussure F. Trudy po iazykoznaniiu [Works on linguistics]. Moscow, 1977, 695 p. (in Russian).

Chyzhevs′kyi D. Filosofiia H. S. Skovorody [Philosophy of G. S. Skovoroda]. Kharkiv, 2004, 272 p. (in Ukrainian).

Shevchuk T. S. Antychni tradytsiï zhanru v baikakh H. Skovorody [Ancient traditions of the genre in the fable of G. Skovoroda]. Magisterium. Literaturoznavchi studiï, 2010, no. 38, pp. 63–74. Available at: http://www.nbuv.gov.ua/portal/soc_gum/Magisterium/Lit/2010_38/10_shevchuk_ts.pdf (accessed 15 November 2012). (in Ukrainian).

Published

2014-11-27

How to Cite

Volkovynskyi, O. “The Allegoresis of H. Skovoroda’s Fable ‘The Snake and the Frog’ in the Context of Symbols and Mythologemes of the Ophites”. Pitannâ lìteraturoznavstva, no. 89, Nov. 2014, pp. 178-92, doi:10.31861/pytlit2014.89.178.

Issue

Section

Historical Poetics and History of Poetological Discourses