“Fra Angelico: Martyrdom of Saints Cosmas and Damian” by Zbigniew Herbert: Strategies of Writing about Art

Authors

  • Roman Bobryk University of Natural Sciences and Humanities in Siedlce, Poland

DOI:

https://doi.org/10.31861/pytlit2013.87.180

Keywords:

Zbigniew Herbert, “Fra Angelico, Martyrdom of Saints Cosmas and Damian”, Literary and Art

Abstract

The title of Zbigniew Herbert’s poem “Fra Angelico: Martyrdom of Saints Cosmas and Damian” suggests that the poem is a typical ekphrasis. Such descriptiveness seems to be confirmed by the author's segmentation of the text (and at the same time of the presented world) into the left side, background and the right side of the picture. Such division is characteristic for verbal description of a picture as a work of painting and is used by historians of art. But by reading more attentively it reveals that Herbert's poem should be treated not only as a description of the picture, but its interpretation. Herbert refers not only to the picture, but to external information (hagiology). Division of the world in the poem causes stratification on another levels of the text such as narrators. While “left side of the picture” is presented from external perspective indefinite in details, “right side of the picture” deals with the presented world from the viewpoint of the characters from the described picture. That's why instead of neutral utterance of an external narrator we have utterances of the characters (as in masks lyrics).

Author Biography

Roman Bobryk, University of Natural Sciences and Humanities in Siedlce

Theory of Literature and Anthropology of the fiction Department University of Natural Sciences and Humanities in Siedlce St. Konarskiego 2, 08-110, Siedlce, Poland

References

Barańczak S. Uciekinier z Utopii. O poezji Zbigniewa Herberta. Wrocław, 1994, 252 p.

Berkan-Jabłońska M. Wizje sztuki w twórczości Zbigniewa Herberta. Łódź , 2008, 165 p.

Bobryk R. Siódmy anioł jest... („Siódmy anioł” Herberta). Slavica Tergestina. Trieste, 1999, no 7, pp. 145–163.

Bobryk R. Dialog, ale czy rozmowa? „Prolog” Zbigniewa Herberta. In: Kultura tworzona w dialogu cywilizacji Europy. Częstochowa, 2003, pp. 39–49.

Fiut A. Męczeństwo i ziemskie rozkosze. W poetyckiej galerii Miłosza i Herberta. In: Zmysł wzroku, zmysł sztuki. Prywatna historia sztuki Zbigniewa Herberta. Lublin, 2006, vol. 2, pp. 11–29.

Herbert Z. Król mrówek. Prywatna mitologia. Kraków, 2001, 151 p.

Herbert Z. Wiersze zebrane. Kraków, 2008, 799 p.

Herbert Z. Utwory rozproszone (Rekonensans). Kraków, 2010, 491 p.

Kaliszewski A. Gry Pana Cogito. Kraków, 1982, 260 p.

Leksykon symboli. Warszawa, 1992, 198 p.

Lurker M. Słownik obrazów i symboli biblijnych. Poznań, 1989, 306 p.

Okopień-Sławińska A. Semantyka wypowiedzi poetyckiej. (Preliminaria). Kraków, 2001, 254 p.

Panas W. Tajemnica siódmego anioła. Lublin, 2005, 111 p.

Zalewski W. Święci na każdy dzień. Warszawa, 1989, 873 p.

Published

2013-09-03

How to Cite

Bobryk, R. “‘Fra Angelico: Martyrdom of Saints Cosmas and Damian’ by Zbigniew Herbert: Strategies of Writing about Art”. Pitannâ lìteraturoznavstva, no. 87, Sept. 2013, pp. 180-93, doi:10.31861/pytlit2013.87.180.

Issue

Section

Intertextuality and Intermediality