Novel at the Crossroads of Genres: How G. K. Chesterton Combined Detective Fiction, Fantasy, and Thriller in “The Man Who Was Thursday”

Authors

DOI:

https://doi.org/10.31861/pytlit2024.110.080

Keywords:

Chesterton, detective fiction, science fiction, thriller, genre-blending, identity, chaos, metaphysical themes

Abstract

The article explores the distinctive genre structure of Gilbert Keith Chesterton’s novel. The author examines how Chesterton skillfully blended elements from three genres – detective fiction, fantasy, and thriller – creating a work that transcends traditional genre boundaries. Special attention is given to how Chesterton used the detective element to build intrigue and tension, the fantasy elements to delve into philosophical questions, and the thriller aspect to maintain a dynamic atmosphere filled with unpredictability and mystery. Chesterton effectively integrates these genres to craft a narrative that immerses the reader in a world of constant unexpected events. The detective aspect serves as the main tool for structuring the plot and developing the central intrigue, as the characters strive to uncover a conspiracy and identify the true leader of the anarchists. Fantasy elements are employed by Chesterton to reflect his philosophical ideas and explore essential questions of existence. The surreal events in the novel heighten the sense of a dreamlike atmosphere and symbolize the author’s deep philosophical reflections on the nature of the human soul, free will, and the invisible hand of God in human life. Thriller elements give the novel its dynamism and emotional intensity, which permeates the entire text. The constant feeling of danger, pursuit, and mysterious characters reinforces the atmosphere of anxiety, emphasizing the key themes of the work. The article also highlights how the combination of different genre elements allowed Chesterton to create a complex and multilayered narrative. This genre flexibility helps the novel remain relevant even many years after its creation. By skillfully intertwining detective fiction, fantasy, and thriller, the work not only captivates with its intrigue but also invites readers to reflect on deeper issues of morality, free will, and the nature of good and evil.

Author Biography

Aneliya Polshchak, National University of “Kyiv-Mohyla Academy”

Department of English

National University of “Kyiv-Mohyla Academy”

2 Hryhoriya Skovorody str., 58012, Kyiv, Ukraine

References

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Oddie, W. (2010). Chesterton and the romance of Orthodoxy: The making of GKC, 1874–1908. Oxford : Oxford University Press, 401 p. https://doi.org/10.1093/acprof:oso/9780199582013.001.0001

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Wood, R. C. (2011). Chesterton: The Nightmare Goodness of God. Waco : Baylor University Press, 358 p.

Published

2024-12-31

How to Cite

Polshchak, A. “Novel at the Crossroads of Genres: How G. K. Chesterton Combined Detective Fiction, Fantasy, and Thriller in ‘The Man Who Was Thursday’”. Pitannâ lìteraturoznavstva, no. 110, Dec. 2024, pp. 80-100, doi:10.31861/pytlit2024.110.080.

Issue

Section

Genre Study