Anthropology of Desire Correlate in Oles Ulianenko’s Novel “Syn Tini”
DOI:
https://doi.org/10.31861/pytlit2020.102.055Keywords:
Oles Ulianenko, anthropology, corporal-mimetic method, life, death, correlate of desireAbstract
Oles Ulianenko, one of the most talented and controversial modern Ukrainian writers, has been dead for ten years. However, during his life O. Ulianenko’s works were not given any appropriate professional interpretation as the literary scholars and critics applied either the wrong or inefficient method because of the numerous objective or, very often, subjective reasons. The goal of this article is to suggest an alternative variant, in comparison to the traditional literary ones, of theoretical literary analysis which is grounded on the principles of the corporal-mimetic method to interpret fiction, and which is an example of literary analysis of the writer’s novel “Syn Tini” (The Shadow Son). Consequently, the conclusion has been drawn that the meaning of the analyzed novel is not determined by moral-ethical rigorism but by an anthropological correlate of desire aimed to overcome death, hence, to accept life because the exact realization of the corresponding correlate connected with ontological categories “life” and “death” can “explain people’s existence. Not as a flock, but human beings…” (J. Lucan). Moreover, relations between a man and a woman can be considered in the same ontological-anthropological plane. Thus, Oles Ulianenko’s novel “Syn Tini” does not depict a “zoo”, albeit “human” one, not a parade of sadistic deviations which are “idiologized” or “aestheticized”, not to speak about “demonism of criminal actions” of any kind – it depicts exactly people. People who are madly driven by their desire to become someone in life, to be at least “shadow son”, since they are obviously not able to claim the status of those who can count on having their own shadow.
References
Baran, Y. (2003). “Obrukhovyi bil′ nespravdzhenoï liubovi” [“The pain of unrequited love”]. Kal′miius, no. 1–2 (19–20), pp. 113–116. (in Ukrainian).
Lacan, J. (2004). Bazhannia, zhyttia i smert′ [Desire, life and death]. Ï, no. 33, pp. 48–53. (in Ukrainian).
Olshansky, D. (2007). Vzgliad i zhelanie v strukture zhenskoi seksual'nosti u L. N. Tolstogo i V. V. Nabokova (Nabliudeniia psikhoanalitika) [Look and desire in the structure of female sexuality in the works by L. Tolstoy and V. Nabokov (Observations of a Psychoanalyst)]. Novyi Bereg, no. 15, pp. 42–52. (in Russian).
Protopopova, I. (2011). Filosof i tiraniia zhelaniia: markiz de Sad v zerkale Platona [Philosopher and the tyranny of desire: Marquis de Sade in Plato’s mirror]. Novoe literaturnoe obozrenie, no. 112, pp. 78–92. (in Russian).
Punina, O. (2016). Samitnyi henii. Oles′ Ul′ianenko: literaturnyi portret [A solitary genius. Oles Ulianenko: a literary portrait]. Kyiv : Akademvydav, 288 p. (in Ukrainian).
Taranenko, K. V. (2018). Komunikatyvnyi sadyzm iak osoblyvyi typ verbal′noï ahresiï [Communicative Sadism as a Special Type of Verbal Aggression]. Molodyi vchenyi, no. 2 (54), pp. 213–215. (in Ukrainian).
Tenditna, N. M. (2009). Estetyka smerti u prozi Ie. Pashkovs′koho ta O. Ul′ianenka [Aesthetics of the death in the prose of Y. Pashkovsky and O. Ulianenko]. Extended abstract of Candidate's thesis. Kirovohrad Volodymyr Vynnychenko State Pedagogical University, 20 p. (in Ukrainian).
Ulianenko, O. (2011). Bez tsenzury: interviu [Uncensored: interview]. Kyiv : Makhaon-Ukraïna, 376 p. (in Ukrainian).
Ulianenko, O. (2006). Syn tini [The Shadow Son]. Ternopil : Dzhura, 204 p. (in Ukrainian).
Frazer, J. (1989). Fol'klor v Vetkhom Zavete [Folklore in the Old Testament]. Moscow : Politizdat, 682 p. (in Russian).
Fromm, E. (1990). Psikhoanaliz i religiia [Psychoanalyse and Religion]. Sumerki bogov. Moscow : Politizdat, pp. 143–221. (in Russian).
Shteinbuk, F. (2014). Konverhentsiia tilesnykh mikrotoposiv u suchasnii svitovii literaturi [Convergence of corporeal microtopes in modern world literature]. Kyiv : Vydavnychyi dim Dmytra Buraho, 248 p. (in Ukrainian).
Shteinbuk, F. (2013). Ukraïns′ka literatura u konteksti tilesno-mimetychnoho metodu [Ukrainian literature in the context of the corporeal-mimetic method]. Simferopol : VD “Arial”, 392 p. (in Ukrainian).
Shteinbuk, F. M. (2002). Zhanrovoe svoeobrazie i vnutrennee edinstvo “Konarmii” I. E. Babelia [Genre peculiarity and integral unity “Mounted Army” by I. E. Babel]. Candidate’s thesis. Crimean University for the Humanities, 210 p. (in Russian).
Shteinbuk, F. M. (2007). Zasady tilesnoho mimetyzmu u tekstovykh stratehiiakh postmodernists′koï literatury kintsia XX – pochatku XXI stolittia [The principles of corporeal mimesis in textual strategies of postmodern literature of the late XX – early XXI century]. Kyiv : Pedahohichna presa, 292 p. (in Ukrainian).
Shteinbuk, F. M. (2009). Tilesnist′ – mimezys – analiz (Tilesno-mimetychnyi metod analizu khudozhnikh tvoriv) [Corporeality – mimesis – analysis (corporeal-mimetic method of analysis of literary works)]. Kyiv : Znannia Ukraïny, 215 p. (in Ukrainian).
Schuster, A. (2011). Dvoinaia perspektiva: Razmyshleniia o platonovskom opredelenii udovol'stviia [The Double Perspective. Reflections on Plato’s Definition of Pleasure]. Novoe literaturnoe obozrenie, no. 112, pp. 93–107. (in Russian).
Iampolski, M. (1996). Demon i Labirint [Daemon and Labyrinth]. Moscow : Novoe literaturnoe obozrenie, 336 p. (in Russian).
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Feliks Shteinbuk
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.