The Topos of Childhood in the Poetry of Moses Rosenkranz
DOI:
https://doi.org/10.31861/pytlit2019.100.042Keywords:
German-language literature of Bukovyna, Moses Rosenkranz, lyrics, topos of childhood, chronotope, Motherland, motif of the lost paradiseAbstract
The subject of this article is to study the literary space of childhood in the lyrical works of Moses Rosenkranz. The poems “Geburtspunkt” (“Birthplace”), “Meine Dörfer” (“My Villages”), “Auf der Weide” (“In the Pasture”), “Erinnerung” (“Memory”), “Nachts am Fenster” (“At Night by the Window”), “Der Bach” (“Stream”), “Die Liebe im Dorf” (“Village Love”), “Sonntag” (“Sunday”), “Tiefer Zug” (“Deep Mark”) from collection “Bukowina. Gedichte 1920–1997” have become the basis for the study of images and motifs traditionally associated with childhood – home, parents, garden, village, the theme of memory, motif of the lost paradise and ways of their literary actualization. The article attempts to determine the features of the topos of childhood in the lyrics of Moses Rosenkranz: the insecurity of the childhood from the destructive power of the adult world, the special importance of the theme of the lost paradise, which exposes the conflict of the adult and child worlds, the idyllic chronotope traditionally associated with the theme of childhood. In the course of this study, it has been found that Bukovinian images and motifs are key in the poetic work of Moses Rosenkranz. The land where he was born and spent his childhood and youth is portrayed by the author in his lyrical works with particular warmth and tenderness. Even being far fromBukovina, the author did not forget his country and imprinted his image in poems. The space of Rosenkranz's childhood is full of idyll and harmony, though he had been impressed by the brutality of the adult world in the childhood. Moses Rosenkranz's favorite character is a simple peasant with his traditions, misfortunes and hopes.
References
Vitkovskii, E. (2013). Vechnyi slushatel' : sem' stoletii poezii v perevodakh Evgeniia Vitkovskogo. V 2 tomakh. [The Eternal Listener].Moscow : Vodolei, vol. 2, 688 p. (in Russian).
Zahublena arfa: antolohiia nimetskomovnoi poezii Bukovyny [The Lost Harp: An Anthology of German-Language Poetry of Bukovina] (2008). Chernivtsi : Knyhy – XXI, 608 p. (in German and Ukrainian).
Prokof'eva, V. (2005). Kategoriia prostranstva v khudozhestvennom prelomlenii: lokusy i toposy [Category of Space in Artistic Refraction: locuses and toposes]. Vestnik OGU, no. 11, pp. 87–91. (in Russian).
Rykhlo, P. (1994). Bukovynska muza Mozesa Rozenkrantsa [Moses Rosenkranz's Bukovinian Muse]. Molodyi bukovynets′, 24–30 Julay, no. 31, p. 5. (in Ukrainian).
Riabtseva, N., Topchieva, M. (2018). Topos detstva v sovremennoi russkoi literature [Topos of childhood in modern Russian literature]. Aktual'nye voprosy sovremennoi filologii i zhurnalistiki, no. 2 (29), pp. 54–60. (in Russian).
Tkach, L., Rybalko, I. (2015). Literaturoznavchyi aspekt katehorii “topos” na prykladi ukrainskoi literatury fin de siecle [Literary Aspect of the Category “Topos” on the Example of Ukrainian Literature fin de siecle]. Molodyi vchenyi, no. 1 (16), pp. 186–189. (in Ukrainian).
Avery, J. (2008). Moses Rosenkranz, the Bukovina and the concept of Sprache als Heimat. PhD dissertation. Queen Mary University of London.London, 197 p.
Kußmann, M. (2004). Moses Rosenkranz zum 100. Geburtstag am 20. Juni 2004. Deutschlandfunk, 17 Juni. URL: http://www.deutschlandfunk.de/moses-rosenkranz-zum-100-geburtstag-am-20-juni-2004.700.de.html?dram:article_id=81866 (accessed: 25 November 2019).
Rosenkranz, M. (1998). Bukowina. Gedichte 1920–1997. Aachen : Rimbaud, 192 S.
Rosenkranz, M. (2007). Kindheit. Fragment einer Autobiographie. Aachen : Rimbaud, 256 S.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2019 Tetiana Lakusta
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.