Technique of “The Stream of Consciousness” in the Artistic Prose of Ivan Franko

Authors

  • Mykola Lehkyy Ivan Franko Institute National Academy of Science of Ukraine Drahomanov str., 18, 79002, Lviv, Ukraine, Ukraine

DOI:

https://doi.org/10.31861/pytlit2014.90.098

Keywords:

Ivan Franko, “stream of consciousness”, direct internal monologue, mediate internal monologue and omniscient description

Abstract

The varieties of technique of “stream of consciousness” in Ivan Franko’s prose works, especially direct internal monologue, mediate internal monologue and omniscient description are reviewed in the article. It is found out, that Ukrainian writer (as row of European authors) used this technique earlier, than M. Prust, J. Joyce and V. Wolfe, who are considered to be the inventors of technique of “stream of consciousness”. The backgrounds and conditions of the appearance of this form of showing artistic material in Franko’s creation are revealed. The appearance of this modern form of account with Franko’s naturalistic aesthetic is connected, in particular with the study of the agony of consciousness, alcoholic intoxication, affects etc. Ukrainian writer used the technique of “stream of consciousness” in such his works as “Na roboti” (“At work”), “Iz zapysok neduzhoho” (“From diary of the sick person”), “Odi profanum vulgus”, “Perechresni stezhky” (“Cross pathes”), “Vivchar” (“A shepherd”) and others. The master of word shows varieties of “stream of consciousness” with different aim, often – as a way for clearer delineation of character’s psychology. Technique of “stream of consciousness” in Franko’s works is one of factors in the modernization of Ukrainian literature at the end of XIX – beginning of XX century. 

Author Biography

Mykola Lehkyy, Ivan Franko Institute National Academy of Science of Ukraine Drahomanov str., 18, 79002, Lviv, Ukraine

Ivan Franko Institute National Academy of Science of Ukraine Drahomanov str., 18, 79002, Lviv, Ukraine

References

Huzar Z. Modyfikatsija fol’klornych motyviv u romani Ivana Franka “Perechresni stezhky” [Modification of folk motives in Ivan Franko’s novel “Cross pathes”]. Visnyk L’vivs’koho universytetu, 2011, no. 55, pp. 73–80. (in Ukrainian).

Hundorova T. I. ProJavlennia Slova: Dyskursija rannioho ukrajins’koho modernizmu: postmoderna interpretatsija [The Display of the Word: Discursion of early Ukrainian modernism: postmodern interpretation]. Lviv, 1997, 300 p. (in Ukrainian).

Konstan B. Adol’f [Adolf]. Moscow, 1959, 159 p. (in Russian).

Leshchyshyn Z. Vnutrishnij monolog jak forma chudozhnioho vykladu [Internal monologue as a form of artistic presentation]. Extended abstract of PhD dissertation (Literary theory). Lviv National University. Lviv, 2009, 20 p. (in Ukrainian).

Literaturoznavcha entsyklopedija [Literary encyclopedia]. Kyiv, 2007, vol. 2, 624 p. (in Ukrainian).

Meizers’kyy V. M. Philosophija i neorytoryka [Philosophy and neo-rhetoric]. Kyiv, 1991, 192 p. (in Russian).

Urnov D. M. J. Jojs i sovremennyj modernism [J. Joyce and contemporary modernism]. Moscow, 1964, 38 p. (in Russian).

Franko I. Zibrannia tvoriv [Collection of works]. Kyiv, 1976–1986, vol. 1–50. (in Ukrainian).

Dujardin E. Le monologue intérieur. Son apparition, ses origines, sa place dans l’oeuvre de J. Joyce. Paris, 1931, 126 p.

Humphrey R. Stream of Consciousness in the Modern Novel. Berkley, 1955, 127 p.

Published

2014-12-22

How to Cite

Lehkyy, M. “Technique of ‘The Stream of Consciousness’ in the Artistic Prose of Ivan Franko”. Pitannâ lìteraturoznavstva, no. 90, Dec. 2014, pp. 98-108, doi:10.31861/pytlit2014.90.098.

Issue

Section

Poetics